{"id":1121,"date":"2020-06-19T14:24:08","date_gmt":"2020-06-19T14:24:08","guid":{"rendered":"http:\/\/www.laboratoriosociologiavisuale.it\/new\/?page_id=1121"},"modified":"2022-09-23T13:53:20","modified_gmt":"2022-09-23T13:53:20","slug":"homepage","status":"publish","type":"page","link":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/","title":{"rendered":"Homepage"},"content":{"rendered":"<div>\n<p style=\"text-align: justify;\">The Visual Sociology Research Group was born in 2007 to bring the concept of public sociology to life and follow the interests of many of its founders in using visual language to disseminate the outcomes of social research.<\/p>\n<p style=\"text-align: justify;\">Since then, the Visual sociology Research Group has been using the camera and the video camera as tools to research social reality, producing many documentaries, exhibitions, and graphic novels, but first and foremost it has started to use still and moving images as part of its methodological approach to social research in order to develop its participatory nature. (<a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/about\/\"><span style=\"color: #ff9900;\">Read more<\/span><\/a>)<\/p>\n<\/div>\n<p>[chevron-down]<\/p>\n<h1><span style=\"color: #ffffff;\">Latest news and events<br \/><\/span><\/h1>\n<div>\n<\/div>\n<h1><span style=\"color: #ffffff;\">Visual research practices<\/span><\/h1>\n<div>\n<p>Since its creation in 2010, <em>Laboratorio di Sociologia Visuale<\/em> has developed multiple visual research practices, producing sociological documentaries and organizing photographic exhibitions but also carrying out experimental productions and developing new formats such as ethnographic fictions, ethno-graphic novels and sociological art exhibits. Below, you will find its latest productions. To see all the visual productions, please visit the Research Practices page\u2026 <span class=\"ILfuVd\"><span class=\"e24Kjd\">(<\/span><\/span><span class=\"ILfuVd\" style=\"color: #ffffff;\"><span class=\"e24Kjd\"><a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/research-practices\/\"><span style=\"color: #ff6600;\">View all<\/span><\/a><\/span><\/span><span class=\"ILfuVd\"><span class=\"e24Kjd\">)<\/span><\/span><span class=\"ILfuVd\" style=\"color: #ffffff;\"><span class=\"e24Kjd\"><br \/><\/span><\/span><\/p>\n<\/div>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Riski.png\" alt=\"Riski\"><\/p>\n<h3>Riski<\/h3>\n<p>By Massimo Cannarella. Subject by L. Queirolo Palmas &#038; M. Cannarella (Morocco, Spain. 2019)<\/p>\n<div>\n<pre><span style=\"color: #ffff99;\">Riski is a short documentary based on the ethnographic<br \/>work carried out by Luca Queirolo Palmas in Ceuta, Nador <br \/>and Melilla, in 2018. <\/span><\/pre>\n<p>(<a class=\"customize-unpreviewable\" href=\"https:\/\/youtu.be\/R9j24lQjA38\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Transiti_capture-1.png\" alt=\"Transiti. La valle solidale\"><\/p>\n<h3>Transiti la valle solidale<\/h3>\n<p>By Massimo Cannarella. Subject: L. Giliberti, M. Cannarella. (France, Italia. 2018)<\/p>\n<div>\n<pre><span style=\"color: #99cc00;\">A documentary on solidarity at the French-Italian border, based <\/span><br \/><span style=\"color: #99cc00;\">on the ethnographic research work carried on by Luca Giliberti\u00a0<\/span> <\/pre>\n<p>(<a class=\"customize-unpreviewable\" href=\"https:\/\/youtu.be\/YyRToR6j5_4\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Dopo_la_primavera_capture-1.png\" alt=\"Dopo la primavera, l'inverno\"><\/p>\n<h3>Dopo la primavera, l&#8217;inverno<\/h3>\n<p>By Alessandro Diaco. Subject: A. Diaco, L. Queirolo Palmas (Tunisia, 2017)<\/p>\n<div>\n<pre><span style=\"color: #ffff00;\">An ethno-fiction project based on the ethnographic work of <br \/>Luisa Stagi and Luca Queirolo Palmas on young people\u2019s<br \/>expectations and dreams in the post-arab spring Tunisia.<\/span> <\/pre>\n<p>(<a class=\"customize-unpreviewable\" href=\"https:\/\/youtu.be\/XPvIrNce6yA\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<\/ul>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Lorodentro_capture.png\" alt=\"Loro dentro\"><\/p>\n<h3>Loro dentro<\/h3>\n<p>By Cristina Oddone. Subject: M. Cannarella, F. Lagomarsino, C. Oddone, L. Queirolo Palmas, F. Seimandi, S. Spensieri. (Italia. 2012)<\/p>\n<div>\n<pre><span style=\"color: #ffcc99;\">A view from the inside of an Italian state prison. Inmates talk<\/span><br \/><span style=\"color: #ffcc99;\"> about their views, wishes and forms of resistance.<\/span><\/pre>\n<p><a href=\"https:\/\/youtu.be\/xSpVCLe11qQ\">(Go to the video)<\/a><\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/pane_amore_capture.png\" alt=\"\"><\/p>\n<h3>Pane, miele e sartoria<\/h3>\n<p>By Alessandro Diaco. Subject by: M. Bartolini. (Italia. 2013)<\/p>\n<div>\n<pre><span style=\"color: #ccffcc;\">A co-production of Laboratorio di Sociologia Visuale &amp; Centro Studi <\/span><br \/><span style=\"color: #ccffcc;\">Med\u00ec on the migrant integration process in a district <\/span><br \/><span style=\"color: #ccffcc;\">in the Old Town of Genoa.<\/span><\/pre>\n<p><span style=\"color: #ccffcc;\"><br \/><\/span><span style=\"color: #ffffff;\">(<a style=\"color: #ffffff;\" href=\"https:\/\/www.youtube.com\/watch?v=xj6iC0WeHEU&amp;feature=emb_logo\">Go to the video<\/a>)<\/span><span style=\"color: #ccffcc;\"><br \/><\/span><\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Drammascempioefama_capture.png\" alt=\"\"><\/p>\n<h3>Dramma, Scempio e Fama<\/h3>\n<p>By Alessandro Diaco. Subject by: M. Bartolini, S. Benasso, A. Diaco &#038; L. Stagi. (Italia. 2012)<\/p>\n<div>\n<pre>A view on suburbs as spaces for cultural production and the role <br \/>of music as a global lifestyle trend.<\/pre>\n<p>(<a href=\"https:\/\/youtu.be\/DAviaWpJSeE\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Nostalgie_capture.png\" alt=\"La nostalgie du corps perdu\"><\/p>\n<h3>La nostalgie du corps perdu<\/h3>\n<p>By Alessandro Diaco. Subject by: G. Marengo. (Italia. 2011)<\/p>\n<div>\n<pre><span style=\"color: #ff0000;\">A sociological investigation documentary through an imaginary and <\/span><br \/><span style=\"color: #ff0000;\">internal journey to and from home. Luis Y\u00e9pez's life in Genoa: <\/span><br \/><span style=\"color: #ff0000;\">Ecuadorian migrant, boxer, and baker.<\/span><\/pre>\n<p>(<a href=\"https:\/\/youtu.be\/b364rVSvlao\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Yonomecomplico_capture.png\" alt=\"\"><\/p>\n<h3>Yo no me complico<\/h3>\n<p>By Alessandro Diaco. Subject: E. Abbatecola, A. Diaco, L. Queirolo Palmas &#038; L. Stagi (Italia. 2010)<\/p>\n<div>\n<pre><span style=\"color: #99ccff;\">A path of visual research on the themes of the body, gender and<\/span><br \/><span style=\"color: #99ccff;\">sexual identity that starts from issues such as homophobia and <\/span><br \/><span style=\"color: #99ccff;\">transphobia, to get to deal with some fundamental rights that <\/span><br \/><span style=\"color: #99ccff;\">seem increasingly\u00a0 threatened and questioned today.<\/span><\/pre>\n<p>(<a href=\"https:\/\/youtu.be\/9-Zd1woq_Xc\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/donna_faber_A3_02.jpg\" alt=\"Donna Faber\"><\/p>\n<h3>Donna Faber<\/h3>\n<p>By: Emanuela Abbatecola. Photo by: Circolo 36\u00b0 Fotogramma.  (2013)<\/p>\n<div>\n<pre>Donna Faber is a visual sociology research project carried out <br \/>by Emanuela Abbatecola. Through interviews and portraits she <br \/>explored stereotypes and gender expectations about work.<\/pre>\n<p>(<a href=\"http:\/\/www.donnafaber.it\/\">Go to the project website<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/09\/Transportes.jpg\" alt=\"Trans\/portes. Trans\/puertos\"><\/p>\n<h3>Trans\/portes. Trans\/puertos<\/h3>\n<p>By Eugenia Teodorani. (Ecuador. 2008)<\/p>\n<div>\n<pre><span style=\"color: #00ff00;\">Almost entirely shot in Ecuador, Transportes is a travel diary <\/span><br \/><span style=\"color: #00ff00;\">and an overview of a country whose main source of income are <\/span><br \/><span style=\"color: #00ff00;\">the money transfer from Ecuadorians living abroad.<\/span><\/pre>\n<p>(<a href=\"https:\/\/youtu.be\/chQqjsZ8Pdk\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<\/ul>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Calais_capture-1.png\" alt=\"Calais, la fin du monde\"><\/p>\n<h3>Calais, la fin du monde<\/h3>\n<p>By Hanane Idihia &#038; Massimo Cannarella. (France. 2016)<\/p>\n<div>\n<pre><span style=\"color: #ccffff;\">A short ethnographic documentary on the Calais makeshift camp.<\/span><\/pre>\n<p>(<a href=\"https:\/\/youtu.be\/R-GU-ke7yl0\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/cattivemaestre_capture.png\" alt=\"Spartacus e le kattive maestre\"><\/p>\n<h3>Spartacus e le kattive maestre<\/h3>\n<p>By Alessandro Diaco. Subject by: A. Diaco, V. Nuvoletta, L. Queirolo Palmas &#038; D. Thomann (Italia. 2015)<\/p>\n<div>\n<pre><span style=\"color: #00ff00;\"><span style=\"color: #ff6600;\">A documentary on educational models and practices in the schools <\/span><br \/><span style=\"color: #ff6600;\">of Genoa (Italy).<\/span>\u00a0<\/span><\/pre>\n<p>(<a href=\"https:\/\/www.youtube.com\/watch?v=k7KGchIjnX4&amp;feature=emb_logo\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/banda11.jpg\" alt=\"Buscando respeto (SPA)\"><\/p>\n<h3>Buscando respeto (SPA)<\/h3>\n<p>By Jose Gonzalez Morandi. Subject by L. Queirolo Palmas &#038; C. Feixa. (Spain. 2013)<\/p>\n<div>\n<pre><span style=\"color: #00ffff;\">An ethnofiction by Jose Gonzalez Morandi on the forms of resistance <br \/>and counter-narratives of immigrants from South-America in Spain.<\/span><\/pre>\n<p>(<a href=\"https:\/\/www.youtube.com\/watch?v=kSMHicXO7F0&amp;feature=youtu.be\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<\/ul>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/07\/Senza-titolo-1-1.jpg\" alt=\"In between\"><\/p>\n<h3>In between<\/h3>\n<p>By A. Diaco, E.Teodorani, H. Morango, P. Mota Santos (Europe, 2009)<\/p>\n<div>\n<pre><span style=\"color: #ff6600;\">The stories of nine young people, sons and daughters of migrants, <\/span><br \/><span style=\"color: #ff6600;\">who live in nine different European countries.<\/span><\/pre>\n<p>(<a href=\"https:\/\/www.youtube.com\/watch?v=1tz_yh3f4Jc&amp;feature=emb_logo\">Go to the video<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/Eufemia_capture.png\" alt=\"Eufemia\"><\/p>\n<h3>Eufemia. The submerged and the saved<\/h3>\n<p>By: L. Queirolo Palmas, E. Fravega, A. Daneri, A. Milotta, Z. Donchev, G. Abdelouahab. (2019)<\/p>\n<div>\n<pre><span style=\"color: #ff99cc;\">A public-art project strirring a collective reflection and debate <\/span><br \/><span style=\"color: #ff99cc;\">on the issues of migration, rescue at sea and humanitarian help <\/span><br \/><span style=\"color: #ff99cc;\">to migrants.<\/span><\/pre>\n<p>(Go to the video)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/06\/cicatrice_capture.png\" alt=\"La cicatrice\"><\/p>\n<h3>La cicatrice<\/h3>\n<p>By Andrea Ferraris &#038; Renato Chiocca. (2017)<\/p>\n<div>\n<pre>The border between Mexico and the USA is 3200 kilometers long,<br \/> one third of which is covered by a wall. The icon of the <br \/>\"frontier\" today is a a scar of contemporary society on which<br \/> darkness and light, violence and humanity co-exist. <br \/>An (ethno)graphic novel overlapping stories and reality <br \/>about the border.<\/pre>\n<p>(<a href=\"https:\/\/www.oblomovedizioni.com\/libri-la-cicatrice.php\">Go to the website<\/a>)<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/08\/TEU_porto_citt%C3%A0-6WEB.jpg\" alt=\"TEU\"><\/p>\n<h3>TEU<\/h3>\n<p>By: Federico Rahola, Anna Daneri, Martina Angelotti, Enrico Fravega. (2017)<\/p>\n<div>\n<pre><span class=\"tlid-translation translation\" lang=\"en\"><span class=\"\" title=\"\">TEU, is a project developed by the ON Association in collaboration <br \/>with <em>Laboratorio di Sociologia Visuale<\/em>,<\/span> <span class=\"\" title=\"\">whose aim was the <br \/>exploration of transformations affecting the urban territory as <br \/>a consequence of its logistical connections. <\/span><\/span><span class=\"tlid-translation translation\" lang=\"en\"><span title=\"\">Invited artists: Danilo Correale and <br \/>Riccardo Benassi.<\/span> <br \/><\/span><\/pre>\n<p>(<a href=\"http:\/\/www.onpublic.it\/teu\/teu-twenty-foot-equivalent-unit.-when-logistics-meets-the-urban-landscape\">Go to the website<\/a>)<\/p>\n<\/div>\n<\/li>\n<\/ul>\n<h1><span style=\"color: #ffffff;\">Ongoing projects<\/span><\/h1>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/07\/2web.jpg\" alt=\"The breakdown\"><\/p>\n<h3>The breakdown<\/h3>\n<p><a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/ongoing-projects\/?customize_changeset_uuid=6e9d5da4-9837-43ad-822a-490722349b84&#038;customize_autosaved=on\">Read more<\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/07\/ragazzabracciaincorciate2.gif\" alt=\"Teens on the net\"><\/p>\n<h3>Teens on the net<\/h3>\n<p><a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-admin\/customize.php?url=https%3A%2F%2Fwww.laboratoriosociologiavisuale.it%2Fnew%2Fresearch-practices%2F%3Fcustomize_autosaved%3Don\">Read more<\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/07\/French-Italian-Border.-MC-scaled.jpg\" alt=\"Borders ethnography\"><\/p>\n<h3>Borders ethnography<\/h3>\n<p><a href=\"\/new\/ongoing-projects\/\">Read more<\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/08\/melaWEB.png\" alt=\"Me and my food\"><\/p>\n<h3>Me and my food<\/h3>\n<p><a href=\"\/new\/ongoing-projects\/\">Read more<\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/08\/DSC0154web.jpg\" alt=\"Liminal\"><\/p>\n<h3>Liminal<\/h3>\n<p><a href=\"\/new\/ongoing-projects\/\">Read more<\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/08\/Canadian_Immigration_Stamp.jpg\" alt=\" The Canadian model of refugees integration (Refinteg)\"><\/p>\n<h3> The Canadian model of refugees integration (Refinteg)<\/h3>\n<p><a href=\"\/new\/ongoing-projects\/\">Read more<\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/09\/post-colonial.jpg\" alt=\"Colonial and post-colonial forms of internment in and around the Mediterranean\"><\/p>\n<h3>Colonial and post-colonial forms of internment in and around the Mediterranean<\/h3>\n<p><a href=\"\/new\/ongoing-projects\/\">Read more<\/a><\/p>\n<\/li>\n<\/ul>\n<h1>Latest publications<\/h1>\n<p>\n    <a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/?page_id=1137\">All Publications<\/a>\n<\/p>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2022\/06\/COVER-deviazioni-fravega-l-abitare-migrante.jpg\" alt=\"L'abitare migrante\"><\/p>\n<h2>L&#8217;abitare  migrante<\/h2>\n<p><a href=\"\/new\/catalogo\/l-abitare-migrante\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2021\/09\/navone_cop1.jpg\" alt=\"\"><\/p>\n<h2>Confini, mobilit\u00e0 e migrazioni Una cartografia dello spazio europeo<\/h2>\n<p><a href=\"https:\/\/www.agenziax.it\/confini-mobilita-e-migrazioni\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2021\/03\/Selfie_a_tavola.jpg\" alt=\"\"><\/p>\n<h2>Aggiungi un selfie a tavola<\/h2>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2021\/01\/debordering-europe.jpeg\" alt=\"Debordering Europe\"><\/p>\n<h2>Debordering Europe Migration and Control Across the Ventimiglia Region<\/h2>\n<p><a href=\"https:\/\/www.palgrave.com\/gp\/book\/9783030565176\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/10\/underground_europe.jpg\" alt=\"Underground Europe\"><\/p>\n<h2>Underground Europe<\/h2>\n<p><a href=\"http:\/\/www.meltemieditore.it\/catalogo\/underground-europe\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/09\/Abitarelafrontiera.jpg\" alt=\"Abitare la frontiera\"><\/p>\n<h2>Abitare la frontiera<\/h2>\n<p><a href=\"http:\/\/www.ombrecorte.it\/index.php\/prodotto\/abitare-la-frontiera\/\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/www.laboratoriosociologiavisuale.it\/lab\/wp-content\/uploads\/2015\/05\/cover.jpg\" alt=\"Fare sociologia visuale\"><\/p>\n<h2>Fare sociologia visuale<\/h2>\n<p><a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/lab\/wp-content\/uploads\/2015\/02\/Fare-sociologia-visuale.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Sociologie_visuelle_copertina.jpg\" alt=\"Sociologie visuelle et filmique\"><\/p>\n<h2>Sociologie visuelle et filmique<\/h2>\n<p><a href=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/SOCIOLOGIE%20VISUELLE%20ET%20FILMIQUE%20Le%20point%20de%20vue%20dans%20la%20vie%20quotidienne.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/07\/Lorodentro_capturecover.jpg\" alt=\"Loro dentro\"><\/p>\n<h2>Loro dentro<\/h2>\n<p><a href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-admin\/customize.php?url=https%3A%2F%2Fwww.laboratoriosociologiavisuale.it%2Fnew%2Fbooks-articles%2F%3Fcustomize_autosaved%3Don\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/NEGROS_DE_BARCELONA_copertina_0.jpg\" alt=\"Negros de Barcelona\"><\/p>\n<h2>Negros de Barcelona<\/h2>\n<p>Corporate Identity \/ Website<\/p>\n<p><a href=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Giliberti_Negros%20de%20Barcelona.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Ma_una_madre_lo_sa_copertina.jpg\" alt=\"Ma una madre lo sa?\"><\/p>\n<h2>Ma una madre lo sa?<\/h2>\n<p><a href=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Benasso%20Stagi%20Ma%20una%20madre%20lo%20sa%20def%20digitalizzato.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Winou-el-shabab_copertina_1.jpg\" alt=\"Winou el Shabab\"><\/p>\n<h2>Winou el Shabab<\/h2>\n<p><a href=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Winou%20el%20shabab_0.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Piu_vicini_che_lontani_copertina.jpg\" alt=\"Pi\u00f9 vicini che lontani\"><\/p>\n<h2>Pi\u00f9 vicini che lontani<\/h2>\n<p><a href=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Pi%C3%B9%20vicini%20che%20lontani.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Maschilita_e_cura_educativa_copertina.jpg\" alt=\"Maschilit\u00e0 e cura educativa\"><\/p>\n<h2>Maschilit\u00e0 e cura educativa<\/h2>\n<p>Online Campaign<\/p>\n<p><a href=\"https:\/\/gup.unige.it\/sites\/gup.unige.it\/files\/pagine\/Maschilita_e_cura_educativa_ebook_indicizzato.pdf\"><\/a><\/p>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/10\/mm.jpeg\" alt=\"Mondi Migranti\"><\/p>\n<h2>Mondi Migranti<\/h2>\n<p><a href=\"https:\/\/www.francoangeli.it\/Riviste\/sommario.aspx?IDRivista=149&#038;lingua=IT\"><\/a><\/p>\n<\/li>\n<\/ul>\n<p><!--more--><br \/>\n<!-- {\"name\":\"Home\",\"type\":\"layout\",\"children\":[{\"name\":\"Hero\",\"type\":\"section\",\"props\":{\"style\":\"secondary\",\"width\":\"xlarge\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-right\",\"padding\":\"large\",\"header_transparent\":\"light\",\"header_transparent_noplaceholder\":true,\"class\":\"demo\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/07\\\/last.gif\",\"height\":\"full\",\"image_effect\":\"parallax\",\"image_parallax_bgx_start\":\"0\",\"image_parallax_bgx_end\":\"0\",\"image_parallax_bgy_start\":\"-90\",\"image_width\":\"2560\",\"image_height\":\"1440\",\"media_background\":\"#040303\",\"image_parallax_easing\":\"2\",\"image_size\":\"contain\",\"media_visibility\":\"s\"},\"children\":[{\"name\":\"\",\"type\":\"row\",\"children\":[{\"name\":\"\",\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"image\":\"wp-content\\\/uploads\\\/home-hero-texture.svg\",\"image_effect\":\"parallax\",\"image_parallax_bgy_start\":-10,\"image_parallax_bgy_end\":-90,\"media_overlay_gradient\":\"\",\"width_medium\":\"1-3\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"text\",\"props\":{\"margin\":\"default\",\"column_breakpoint\":\"m\",\"content\":\"\n\n<p style=\\\"text-align: justify;\\\">The Visual Sociology Research Group was born in 2007 to bring the concept of public sociology to life and follow the interests of many of its founders in using visual language to disseminate the outcomes of social research.<\\\/p>\\n\n\n<p style=\\\"text-align: justify;\\\">Since then, the Visual sociology Research Group has been using the camera and the video camera as tools to research social reality, producing many documentaries, exhibitions, and graphic novels, but first and foremost it has started to use still and moving images as part of its methodological approach to social research in order to develop its participatory nature. (<a href=\\\"https:\\\/\\\/www.laboratoriosociologiavisuale.it\\\/new\\\/about\\\/\\\"><span style=\\\"color: #ff9900;\\\">Read more<\\\/span><\\\/a>)<\\\/p>\",\"text_style\":\"lead\",\"maxwidth\":\"2xlarge\",\"animation\":\"none\"}},{\"type\":\"icon\",\"props\":{\"margin\":\"default\",\"icon\":\"chevron-down\",\"icon_width\":60}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"2-3\",\"position_sticky_breakpoint\":\"m\"},\"children\":[]}],\"props\":{\"layout\":\"1-3,2-3\"}}]},{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h1\",\"content\":\"<span style=\\\"color: #ffffff;\\\">Latest news and events<br \\\/><\\\/span>\"}}]}]},{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"grid\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_image\":true,\"show_link\":true,\"grid_default\":\"1\",\"grid_medium\":\"3\",\"filter_style\":\"tab\",\"filter_all\":true,\"filter_position\":\"top\",\"filter_align\":\"left\",\"filter_grid_width\":\"auto\",\"filter_grid_breakpoint\":\"m\",\"title_hover_style\":\"reset\",\"title_element\":\"h3\",\"title_align\":\"top\",\"title_grid_width\":\"1-2\",\"title_grid_breakpoint\":\"m\",\"meta_style\":\"meta\",\"meta_align\":\"below-title\",\"image_align\":\"top\",\"image_grid_width\":\"1-2\",\"image_grid_breakpoint\":\"m\",\"image_svg_color\":\"emphasis\",\"link_text\":\"Read more\",\"link_style\":\"default\",\"margin\":\"default\",\"item_animation\":true,\"icon_width\":80,\"content_column_breakpoint\":\"m\",\"meta_element\":\"div\",\"grid_masonry\":false},\"children\":[{\"type\":\"grid_item\",\"source\":{\"query\":{\"name\":\"posts.customPosts\",\"arguments\":{\"terms\":[],\"offset\":0,\"limit\":6,\"order\":\"modified\",\"order_direction\":\"DESC\"}},\"props\":{\"title\":{\"filters\":{\"search\":\"\"},\"name\":\"title\"},\"content\":{\"filters\":{\"search\":\"\"},\"name\":\"excerpt\"},\"link\":{\"filters\":{\"search\":\"\"},\"name\":\"link\"},\"image\":{\"filters\":{\"search\":\"\"},\"name\":\"featuredImage.url\"}}}}]}]}]}]},{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h1\",\"content\":\"<span style=\\\"color: #ffffff;\\\">Visual research practices<\\\/span>\"}},{\"type\":\"text\",\"props\":{\"margin\":\"default\",\"column_breakpoint\":\"m\",\"content\":\"\n\n<p>Since its creation in 2010, <em>Laboratorio di Sociologia Visuale<\\\/em> has developed multiple visual research practices, producing sociological documentaries and organizing photographic exhibitions but also carrying out experimental productions and developing new formats such as ethnographic fictions, ethno-graphic novels and sociological art exhibits. Below, you will find its latest productions. To see all the visual productions, please visit the Research Practices page\\u2026 <span class=\\\"ILfuVd\\\"><span class=\\\"e24Kjd\\\">(<\\\/span><\\\/span><span class=\\\"ILfuVd\\\" style=\\\"color: #ffffff;\\\"><span class=\\\"e24Kjd\\\"><a href=\\\"https:\\\/\\\/www.laboratoriosociologiavisuale.it\\\/new\\\/research-practices\\\/\\\"><span style=\\\"color: #ff6600;\\\">View all<\\\/span><\\\/a><\\\/span><\\\/span><span class=\\\"ILfuVd\\\"><span class=\\\"e24Kjd\\\">)<\\\/span><\\\/span><span class=\\\"ILfuVd\\\" style=\\\"color: #ffffff;\\\"><span class=\\\"e24Kjd\\\"><br \\\/><\\\/span><\\\/span><\\\/p>\"}}]}]},{\"type\":\"row\",\"props\":{\"layout\":\"1-2,1-2\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-2\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"slideshow\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_link\":true,\"show_thumbnail\":true,\"slideshow_min_height\":300,\"slideshow_autoplay_pause\":true,\"nav\":\"dotnav\",\"nav_position\":\"bottom-center\",\"nav_position_margin\":\"medium\",\"nav_align\":\"center\",\"nav_breakpoint\":\"s\",\"thumbnav_width\":\"100\",\"thumbnav_height\":\"75\",\"thumbnav_svg_color\":\"emphasis\",\"slidenav\":\"default\",\"slidenav_margin\":\"medium\",\"slidenav_breakpoint\":\"s\",\"slidenav_outside_breakpoint\":\"xl\",\"overlay_position\":\"center-left\",\"overlay_animation\":\"parallax\",\"title_element\":\"h3\",\"meta_style\":\"meta\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"link_text\":\"Read more\",\"link_style\":\"default\",\"margin\":\"default\",\"slideshow_animation\":\"\",\"slideshow_autoplay\":true,\"slideshow_kenburns\":\"alternate\",\"slideshow_kenburns_duration\":\"15\",\"slideshow_autoplay_interval\":\"10\",\"slideshow_velocity\":\"2\"},\"children\":[{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Riski.png\",\"image_alt\":\"Riski\",\"title\":\"Riski\",\"meta\":\"By Massimo Cannarella. Subject by L. Queirolo Palmas & M. Cannarella (Morocco, Spain. 2019)\",\"content\":\"\n\n<pre><span style=\\\"color: #ffff99;\\\">Riski is a short documentary based on the ethnographic<br \\\/>work carried out by Luca Queirolo Palmas in Ceuta, Nador <br \\\/>and Melilla, in 2018. <\\\/span><\\\/pre>\\n\n\n<p>(<a class=\\\"customize-unpreviewable\\\" href=\\\"https:\\\/\\\/youtu.be\\\/R9j24lQjA38\\\">Go to the video<\\\/a>)<\\\/p>\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Transiti_capture-1.png\",\"image_alt\":\"Transiti. La valle solidale\",\"content\":\"\n\n<pre><span style=\\\"color: #99cc00;\\\">A documentary on solidarity at the French-Italian border, based <\\\/span><br \\\/><span style=\\\"color: #99cc00;\\\">on the ethnographic research work carried on by Luca Giliberti\\u00a0<\\\/span> <\\\/pre>\\n\n\n<p>(<a class=\\\"customize-unpreviewable\\\" href=\\\"https:\\\/\\\/youtu.be\\\/YyRToR6j5_4\\\">Go to the video<\\\/a>)<\\\/p>\",\"title\":\"Transiti la valle solidale\",\"meta\":\"By Massimo Cannarella. Subject: L. Giliberti, M. Cannarella. (France, Italia. 2018)\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Dopo_la_primavera_capture-1.png\",\"image_alt\":\"Dopo la primavera, l'inverno\",\"title\":\"Dopo la primavera, l'inverno\",\"meta\":\"By Alessandro Diaco. Subject: A. Diaco, L. Queirolo Palmas (Tunisia, 2017)\",\"content\":\"\n\n<pre><span style=\\\"color: #ffff00;\\\">An ethno-fiction project based on the ethnographic work of <br \\\/>Luisa Stagi and Luca Queirolo Palmas on young people\\u2019s<br \\\/>expectations and dreams in the post-arab spring Tunisia.<\\\/span> <\\\/pre>\\n\n\n<p>(<a class=\\\"customize-unpreviewable\\\" href=\\\"https:\\\/\\\/youtu.be\\\/XPvIrNce6yA\\\">Go to the video<\\\/a>)<\\\/p>\"}}]},{\"type\":\"slideshow\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_link\":true,\"show_thumbnail\":true,\"slideshow_min_height\":300,\"slideshow_autoplay_pause\":true,\"nav\":\"dotnav\",\"nav_position\":\"bottom-center\",\"nav_position_margin\":\"medium\",\"nav_align\":\"center\",\"nav_breakpoint\":\"s\",\"thumbnav_width\":\"100\",\"thumbnav_height\":\"75\",\"thumbnav_svg_color\":\"emphasis\",\"slidenav\":\"default\",\"slidenav_margin\":\"medium\",\"slidenav_breakpoint\":\"s\",\"slidenav_outside_breakpoint\":\"xl\",\"overlay_position\":\"center-left\",\"overlay_animation\":\"parallax\",\"title_element\":\"h3\",\"meta_style\":\"meta\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"link_text\":\"Read more\",\"link_style\":\"default\",\"margin\":\"default\",\"slideshow_animation\":\"\",\"slideshow_autoplay\":true,\"slideshow_kenburns\":\"alternate\",\"slideshow_kenburns_duration\":\"13\",\"slideshow_autoplay_interval\":\"12\",\"slideshow_velocity\":\"3\"},\"children\":[{\"type\":\"slideshow_item\",\"props\":{\"title\":\"Loro dentro\",\"meta\":\"By Cristina Oddone. Subject: M. Cannarella, F. Lagomarsino, C. Oddone, L. Queirolo Palmas, F. Seimandi, S. Spensieri. (Italia. 2012)\",\"content\":\"\n\n<pre><span style=\\\"color: #ffcc99;\\\">A view from the inside of an Italian state prison. Inmates talk<\\\/span><br \\\/><span style=\\\"color: #ffcc99;\\\"> about their views, wishes and forms of resistance.<\\\/span><\\\/pre>\\n\n\n<p><a href=\\\"https:\\\/\\\/youtu.be\\\/xSpVCLe11qQ\\\">(Go to the video)<\\\/a><\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Lorodentro_capture.png\",\"image_alt\":\"Loro dentro\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"Pane, miele e sartoria\",\"meta\":\"By Alessandro Diaco. Subject by: M. Bartolini. (Italia. 2013)\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/pane_amore_capture.png\",\"content\":\"\n\n<pre><span style=\\\"color: #ccffcc;\\\">A co-production of Laboratorio di Sociologia Visuale &amp; Centro Studi <\\\/span><br \\\/><span style=\\\"color: #ccffcc;\\\">Med\\u00ec on the migrant integration process in a district <\\\/span><br \\\/><span style=\\\"color: #ccffcc;\\\">in the Old Town of Genoa.<\\\/span><\\\/pre>\\n\n\n<p><span style=\\\"color: #ccffcc;\\\"><br \\\/><\\\/span><span style=\\\"color: #ffffff;\\\">(<a style=\\\"color: #ffffff;\\\" href=\\\"https:\\\/\\\/www.youtube.com\\\/watch?v=xj6iC0WeHEU&amp;feature=emb_logo\\\">Go to the video<\\\/a>)<\\\/span><span style=\\\"color: #ccffcc;\\\"><br \\\/><\\\/span><\\\/p>\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"Dramma, Scempio e Fama\",\"meta\":\"By Alessandro Diaco. Subject by: M. Bartolini, S. Benasso, A. Diaco & L. Stagi. (Italia. 2012)\",\"content\":\"\n\n<pre>A view on suburbs as spaces for cultural production and the role <br \\\/>of music as a global lifestyle trend.<\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/youtu.be\\\/DAviaWpJSeE\\\">Go to the video<\\\/a>)<\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Drammascempioefama_capture.png\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Nostalgie_capture.png\",\"image_alt\":\"La nostalgie du corps perdu\",\"meta\":\"By Alessandro Diaco. Subject by: G. Marengo. (Italia. 2011)\",\"title\":\"La nostalgie du corps perdu\",\"content\":\"\n\n<pre><span style=\\\"color: #ff0000;\\\">A sociological investigation documentary through an imaginary and <\\\/span><br \\\/><span style=\\\"color: #ff0000;\\\">internal journey to and from home. Luis Y\\u00e9pez's life in Genoa: <\\\/span><br \\\/><span style=\\\"color: #ff0000;\\\">Ecuadorian migrant, boxer, and baker.<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/youtu.be\\\/b364rVSvlao\\\">Go to the video<\\\/a>)<\\\/p>\",\"link\":\"\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"Yo no me complico\",\"meta\":\"By Alessandro Diaco. Subject: E. Abbatecola, A. Diaco, L. Queirolo Palmas & L. Stagi (Italia. 2010)\",\"content\":\"\n\n<pre><span style=\\\"color: #99ccff;\\\">A path of visual research on the themes of the body, gender and<\\\/span><br \\\/><span style=\\\"color: #99ccff;\\\">sexual identity that starts from issues such as homophobia and <\\\/span><br \\\/><span style=\\\"color: #99ccff;\\\">transphobia, to get to deal with some fundamental rights that <\\\/span><br \\\/><span style=\\\"color: #99ccff;\\\">seem increasingly\\u00a0 threatened and questioned today.<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/youtu.be\\\/9-Zd1woq_Xc\\\">Go to the video<\\\/a>)<\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Yonomecomplico_capture.png\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"Donna Faber\",\"meta\":\"By: Emanuela Abbatecola. Photo by: Circolo 36\\u00b0 Fotogramma.  (2013)\",\"content\":\"\n\n<pre>Donna Faber is a visual sociology research project carried out <br \\\/>by Emanuela Abbatecola. Through interviews and portraits she <br \\\/>explored stereotypes and gender expectations about work.<\\\/pre>\\n\n\n<p>(<a href=\\\"http:\\\/\\\/www.donnafaber.it\\\/\\\">Go to the project website<\\\/a>)<\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/donna_faber_A3_02.jpg\",\"image_alt\":\"Donna Faber\"}},{\"type\":\"slideshow_item\",\"props\":{\"video\":\"\",\"content\":\"\n\n<pre><span style=\\\"color: #00ff00;\\\">Almost entirely shot in Ecuador, Transportes is a travel diary <\\\/span><br \\\/><span style=\\\"color: #00ff00;\\\">and an overview of a country whose main source of income are <\\\/span><br \\\/><span style=\\\"color: #00ff00;\\\">the money transfer from Ecuadorians living abroad.<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/youtu.be\\\/chQqjsZ8Pdk\\\">Go to the video<\\\/a>)<\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/09\\\/Transportes.jpg\",\"image_alt\":\"Trans\\\/portes. Trans\\\/puertos\",\"title\":\"Trans\\\/portes. Trans\\\/puertos\",\"meta\":\"By Eugenia Teodorani. (Ecuador. 2008)\"}}]}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-2\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"slideshow\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_link\":true,\"show_thumbnail\":true,\"slideshow_min_height\":300,\"slideshow_autoplay_pause\":true,\"nav\":\"dotnav\",\"nav_position\":\"bottom-center\",\"nav_position_margin\":\"medium\",\"nav_align\":\"center\",\"nav_breakpoint\":\"s\",\"thumbnav_width\":\"100\",\"thumbnav_height\":\"75\",\"thumbnav_svg_color\":\"emphasis\",\"slidenav\":\"default\",\"slidenav_margin\":\"medium\",\"slidenav_breakpoint\":\"s\",\"slidenav_outside_breakpoint\":\"xl\",\"overlay_position\":\"center-left\",\"overlay_animation\":\"parallax\",\"title_element\":\"h3\",\"meta_style\":\"meta\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"link_text\":\"Read more\",\"link_style\":\"default\",\"margin\":\"default\",\"slideshow_kenburns\":\"alternate\",\"slideshow_velocity\":\"3\",\"slideshow_autoplay\":true,\"slideshow_autoplay_interval\":\"8\",\"slideshow_kenburns_duration\":\"13\"},\"children\":[{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Calais_capture-1.png\",\"image_alt\":\"Calais, la fin du monde\",\"title\":\"Calais, la fin du monde\",\"meta\":\"By Hanane Idihia & Massimo Cannarella. (France. 2016)\",\"content\":\"\n\n<pre><span style=\\\"color: #ccffff;\\\">A short ethnographic documentary on the Calais makeshift camp.<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/youtu.be\\\/R-GU-ke7yl0\\\">Go to the video<\\\/a>)<\\\/p>\",\"link\":\"\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"Spartacus e le kattive maestre\",\"meta\":\"By Alessandro Diaco. Subject by: A. Diaco, V. Nuvoletta, L. Queirolo Palmas & D. Thomann (Italia. 2015)\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/cattivemaestre_capture.png\",\"content\":\"\n\n<pre><span style=\\\"color: #00ff00;\\\"><span style=\\\"color: #ff6600;\\\">A documentary on educational models and practices in the schools <\\\/span><br \\\/><span style=\\\"color: #ff6600;\\\">of Genoa (Italy).<\\\/span>\\u00a0<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/www.youtube.com\\\/watch?v=k7KGchIjnX4&amp;feature=emb_logo\\\">Go to the video<\\\/a>)<\\\/p>\",\"image_alt\":\"Spartacus e le kattive maestre\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/banda11.jpg\",\"title\":\"Buscando respeto (SPA)\",\"image_alt\":\"Buscando respeto (SPA)\",\"content\":\"\n\n<pre><span style=\\\"color: #00ffff;\\\">An ethnofiction by Jose Gonzalez Morandi on the forms of resistance <br \\\/>and counter-narratives of immigrants from South-America in Spain.<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/www.youtube.com\\\/watch?v=kSMHicXO7F0&amp;feature=youtu.be\\\">Go to the video<\\\/a>)<\\\/p>\",\"meta\":\"By Jose Gonzalez Morandi. Subject by L. Queirolo Palmas & C. Feixa. (Spain. 2013)\"}}]},{\"type\":\"slideshow\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_link\":true,\"show_thumbnail\":true,\"slideshow_min_height\":300,\"slideshow_autoplay_pause\":true,\"nav\":\"dotnav\",\"nav_position\":\"bottom-center\",\"nav_position_margin\":\"medium\",\"nav_align\":\"center\",\"nav_breakpoint\":\"s\",\"thumbnav_width\":\"100\",\"thumbnav_height\":\"75\",\"thumbnav_svg_color\":\"emphasis\",\"slidenav\":\"default\",\"slidenav_margin\":\"medium\",\"slidenav_breakpoint\":\"s\",\"slidenav_outside_breakpoint\":\"xl\",\"overlay_position\":\"center-left\",\"overlay_animation\":\"parallax\",\"title_element\":\"h3\",\"meta_style\":\"meta\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"link_text\":\"Read more\",\"link_style\":\"default\",\"margin\":\"default\",\"slideshow_kenburns\":\"alternate\",\"slideshow_velocity\":\"2\",\"slideshow_autoplay\":true,\"slideshow_autoplay_interval\":\"9\",\"slideshow_kenburns_duration\":\"14\"},\"children\":[{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/07\\\/Senza-titolo-1-1.jpg\",\"image_alt\":\"In between\",\"title\":\"In between\",\"meta\":\"By A. Diaco, E.Teodorani, H. Morango, P. Mota Santos (Europe, 2009)\",\"content\":\"\n\n<pre><span style=\\\"color: #ff6600;\\\">The stories of nine young people, sons and daughters of migrants, <\\\/span><br \\\/><span style=\\\"color: #ff6600;\\\">who live in nine different European countries.<\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/www.youtube.com\\\/watch?v=1tz_yh3f4Jc&amp;feature=emb_logo\\\">Go to the video<\\\/a>)<\\\/p>\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/Eufemia_capture.png\",\"image_alt\":\"Eufemia\",\"title\":\"Eufemia. The submerged and the saved\",\"meta\":\"By: L. Queirolo Palmas, E. Fravega, A. Daneri, A. Milotta, Z. Donchev, G. Abdelouahab. (2019)\",\"content\":\"\n\n<pre><span style=\\\"color: #ff99cc;\\\">A public-art project strirring a collective reflection and debate <\\\/span><br \\\/><span style=\\\"color: #ff99cc;\\\">on the issues of migration, rescue at sea and humanitarian help <\\\/span><br \\\/><span style=\\\"color: #ff99cc;\\\">to migrants.<\\\/span><\\\/pre>\\n\n\n<p>(Go to the video)<\\\/p>\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"La cicatrice\",\"meta\":\"By Andrea Ferraris & Renato Chiocca. (2017)\",\"content\":\"\n\n<pre>The border between Mexico and the USA is 3200 kilometers long,<br \\\/> one third of which is covered by a wall. The icon of the <br \\\/>\\\"frontier\\\" today is a a scar of contemporary society on which<br \\\/> darkness and light, violence and humanity co-exist. <br \\\/>An (ethno)graphic novel overlapping stories and reality <br \\\/>about the border.<\\\/pre>\\n\n\n<p>(<a href=\\\"https:\\\/\\\/www.oblomovedizioni.com\\\/libri-la-cicatrice.php\\\">Go to the website<\\\/a>)<\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/06\\\/cicatrice_capture.png\",\"image_alt\":\"La cicatrice\"}},{\"type\":\"slideshow_item\",\"props\":{\"title\":\"TEU\",\"meta\":\"By: Federico Rahola, Anna Daneri, Martina Angelotti, Enrico Fravega. (2017)\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/08\\\/TEU_porto_citt\\u00e0-6WEB.jpg\",\"image_alt\":\"TEU\",\"content\":\"\n\n<pre><span class=\\\"tlid-translation translation\\\" lang=\\\"en\\\"><span class=\\\"\\\" title=\\\"\\\">TEU, is a project developed by the ON Association in collaboration <br \\\/>with <em>Laboratorio di Sociologia Visuale<\\\/em>,<\\\/span> <span class=\\\"\\\" title=\\\"\\\">whose aim was the <br \\\/>exploration of transformations affecting the urban territory as <br \\\/>a consequence of its logistical connections. <\\\/span><\\\/span><span class=\\\"tlid-translation translation\\\" lang=\\\"en\\\"><span title=\\\"\\\">Invited artists: Danilo Correale and <br \\\/>Riccardo Benassi.<\\\/span> <br \\\/><\\\/span><\\\/pre>\\n\n\n<p>(<a href=\\\"http:\\\/\\\/www.onpublic.it\\\/teu\\\/teu-twenty-foot-equivalent-unit.-when-logistics-meets-the-urban-landscape\\\">Go to the website<\\\/a>)<\\\/p>\"}}]}]}]}]},{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"position_sticky_breakpoint\":\"m\"},\"children\":[]}]}]},{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h1\",\"content\":\"<span 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