{"id":2738,"date":"2020-09-16T12:36:55","date_gmt":"2020-09-16T12:36:55","guid":{"rendered":"http:\/\/www.laboratoriosociologiavisuale.it\/new\/?page_id=2738"},"modified":"2020-09-16T12:36:55","modified_gmt":"2020-09-16T12:36:55","slug":"elena_boschi","status":"publish","type":"page","link":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/elena_boschi\/","title":{"rendered":"Elena Boschi"},"content":{"rendered":"<h1>Elena Boschi<\/h1>\n<div>\n<p>Film studies scholar<\/p>\n<\/div>\n<p><img decoding=\"async\" src=\"\/new\/wp-content\/uploads\/2020\/09\/Boschi-pic-bn.jpg\" alt=\"\"><\/p>\n<p>\n    <a href=\"tel:\"><\/a>\n<\/p>\n<p>\n    <a href=\"mailto:peter@example.com\">peter@example.com<\/a>\n<\/p>\n<ul>\n<li><a href=\"https:\/\/www.linkedin.com\/\">linkedin<\/a>\n<\/li>\n<li><a href=\"https:\/\/twitter.com\/yootheme\">twitter<\/a>\n<\/li>\n<li><a href=\"https:\/\/www.xing.com\">xing<\/a>\n<\/li>\n<\/ul>\n<div>\n<p>Elena Boschi is an independent scholar and film curator based in Genoa, Italy. Her earlier research focused on the role of popular music in the representation of sexuality, gender, and class in Italian, Spanish, and British cinema. She was co-editor of a special issue of the Journal of British Cinema and Television on Gender, Ageing, and Sexuality in British Cinema After Thatcher with Christine Geraghty. Elena\u2019s more recent research on alternative screening practices has informed her curation of interrupted screenings, in which participants discuss films in small groups during scheduled breaks rather than just at the end to promote a radical film experience. She has curated screenings in England, Scotland, and Italy, working primarily with film festivals, charities, and occupied spaces.<\/p>\n<p><strong>Publications<\/strong><\/p>\n<p>Elena Boschi (2020) \u201cOvertaking \u2018Virtuous\u2019 Masculinities: Music, Gender, and Sexuality in <em>Il Sorpasso<\/em> (Dino Risi, 1962)\u201d, <em>Schermi<\/em> 4\/7 (2020) pp. 15-31 (numero speciale The Compilation Soundtrack in Italian Sound Cinema a cura di Maurizio Corbella) <a href=\"https:\/\/riviste.unimi.it\/index.php\/schermi\/article\/view\/12938\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/riviste.unimi.it\/index.php\/schermi\/article\/view\/12938&amp;source=gmail&amp;ust=1600345169494000&amp;usg=AFQjCNFxURZaq7pPZVCfTHM6qgh3bkadkQ\">https:\/\/riviste.unimi.it\/index.php\/schermi\/article\/view\/12938<\/a><\/p>\n<p>Elena Boschi (2020) \u201cFilm, Interrupted: Alternative Screening Practices for a Radical Film Culture\u201d, in <em>The Radical Film Handbook: Organisation, Activism and the Moving Image<\/em>, a cura di Steve Presence, Mike Wayne e Jack Newsinger, Londra: Routledge, pp. 151-162 <a href=\"https:\/\/www.routledge.com\/Contemporary-Radical-Film-Culture-Networks-Organisations-and-Activists\/Presence-Wayne-Newsinger\/p\/book\/9781138543614\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.routledge.com\/Contemporary-Radical-Film-Culture-Networks-Organisations-and-Activists\/Presence-Wayne-Newsinger\/p\/book\/9781138543614&amp;source=gmail&amp;ust=1600345169494000&amp;usg=AFQjCNFzzVIy6n_nCI9V544r4rD6drEPZg\">https:\/\/www.routledge.com\/Contemporary-Radical-Film-Culture-Networks-Organisations-and-Activists\/Presence-Wayne-Newsinger\/p\/book\/9781138543614<\/a>\u00a0<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p>Elena Boschi (2016) \u2018\u2018Where you from, you sexy thing\u2019: Popular Music, Space, and Masculinity in <em>The Full Monty<\/em>\u2019, <em>Journal of British Cinema and Television<\/em> 13\/4 (2016) pp. 516-535 (numero speciale su Gender, Ageing, and Sexuality in British Cinema after Thatcher a cura di Elena Boschi e Christine Geraghty) <a href=\"https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/jbctv.2016.0338\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/jbctv.2016.0338&amp;source=gmail&amp;ust=1600345169494000&amp;usg=AFQjCNFjCn_ihdsXWECfcYbLHxYv0tLilQ\">https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/jbctv.2016.0338<\/a><\/p>\n<p>Elena Boschi (2015) \u2018<em>Loose Cannons<\/em> Unloaded: Popular Music, Space, and Queer Identities in the Films of Ferzan \u00d6zpetek\u2019, <em>Studies in European Cinema<\/em> 12\/3 (2015), pp. 246-260 (numero speciale su Queer European Film a cura di Jacky Collins e Leanne Dawson) <a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17411548.2015.1094257\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17411548.2015.1094257&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNFnqHxmEKbhmOXIefuZYsKwInsjuQ\">https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17411548.2015.1094257<\/a><\/p>\n<p>Elena Boschi (2014) \u2018Sexuality and the Nation: Urban Popular Music and Queer Identities in <em>Kr\u00e1mpack<\/em>\u2019, <em>Quaderns de cine<\/em>, 9 (2014), pp. 87-95 (numero speciale su Cine y M\u00fasicas Populares Urbanas a cura di Kiko Mora) <a href=\"https:\/\/rua.ua.es\/dspace\/bitstream\/10045\/41182\/1\/Quaderns-de-Cine_09_10.pdf\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rua.ua.es\/dspace\/bitstream\/10045\/41182\/1\/Quaderns-de-Cine_09_10.pdf&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNFKssR8oXw8MkEXa6NiUYYCnl4msw\">https:\/\/rua.ua.es\/dspace\/bitstream\/10045\/41182\/1\/Quaderns-de-Cine_09_10.pdf<\/a><\/p>\n<p>Elena Boschi, Marta Garc\u00eda Qui\u00f1ones, e Anahid Kassabian (2014) \u2018Culture, Value, and Attention at Home\u2019, Expert Workshop Report (AHRC Cultural Value Project) <a href=\"http:\/\/www.ahrc.ac.uk\/Funded-Research\/Funded-themes-and-programmes\/Cultural-Value-Project\/Current-and-Past-Research-Activities\/Documents\/EW%20Boschi%20-%20Culture%20Value%20and%20Attention%20at%20Home.pdf\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.ahrc.ac.uk\/Funded-Research\/Funded-themes-and-programmes\/Cultural-Value-Project\/Current-and-Past-Research-Activities\/Documents\/EW%2520Boschi%2520-%2520Culture%2520Value%2520and%2520Attention%2520at%2520Home.pdf&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNH76JHxBZk3eKEuZerTB9CTusWY-Q\">http:\/\/www.ahrc.ac.uk\/Funded-Research\/Funded-themes-and-programmes\/Cultural-Value-Project\/Current-and-Past-Research-Activities\/Documents\/EW%20Boschi%20-%20Culture%20Value%20and%20Attention%20at%20Home.pdf<\/a><\/p>\n<p>Elena Boschi (2013) \u2018<em>Radiofreccia<\/em>: A Rocker from Emilia Behind the Film Camera\u2019, in <em>Made in Italy: Studies in Italian Popular Music<\/em>, a cura di Franco Fabbri e Goffredo Plastino, Londra: Routledge<\/p>\n<p>Tim McNelis e Elena Boschi (2013) \u2018Seen and Heard: Visible Playback Technology in Film\u2019, in <em>Ubiquitous Musics: The Everyday Sounds That We Don\u2019t Always Notice<\/em>, a cura di Marta Garc\u00eda Qui\u00f1ones, Anahid Kassabian, e Elena Boschi, Aldershot: Ashgate<\/p>\n<p>Marta Garc\u00eda Qui\u00f1ones, Anahid Kassabian, e Elena Boschi (ed.) (2013) <em>Ubiquitous Musics: The Everyday Sounds That We Don\u2019t Always Notice<\/em>, Aldershot: Ashgate<\/p>\n<p>Elena Boschi (2012) \u2018\u2018Canci\u00f3n Prohibida\u2019: Simulacros Musicales y Otros Mundos en <em>Barrio<\/em> de Fernando L\u00e9on de Aranoa\u2019 in <em>La m\u00fasica en el lenguaje audiovisual: Aproximaciones multidisciplinares a una comunicaci\u00f3n medi\u00e1tica<\/em>, a cura di Teresa Fraile Prieto e Eduardo Vi\u00f1uela Su\u00e1rez, Siviglia: Arcibel, pp. 399-406 <a href=\"http:\/\/musicaudiovisual.files.wordpress.com\/2012\/05\/musica-y-lenguaje-audiovisual-frailevic3b1uela.pdf\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/musicaudiovisual.files.wordpress.com\/2012\/05\/musica-y-lenguaje-audiovisual-frailevic3b1uela.pdf&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNHDBgOHKbF2VQRfIgG57XYgoebaYQ\">http:\/\/musicaudiovisual.files.wordpress.com\/2012\/05\/musica-y-lenguaje-audiovisual-frailevic3b1uela.pdf<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Elena Boschi e Tim McNelis (2012) \u2018\u2018Same Old Song\u2019: On Audiovisual Style in the Films of Wes Anderson\u2019, <em>New Review of Film and Television Studies<\/em>, 10\/1 (2012), pp. 28-45 (numero speciale su Wes Anderson a cura di Warren Buckland) <a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17400309.2012.631174\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17400309.2012.631174&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNGp4cVHI2D9HvALk-pogPHS9WFTAg\">https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/17400309.2012.631174<\/a><\/p>\n<\/div>\n<p><!-- {\"name\":\"Staff Member\",\"type\":\"layout\",\"children\":[{\"name\":\"Vita\",\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\",\"padding\":\"large\",\"animation_delay\":false},\"children\":[{\"name\":\"\",\"type\":\"row\",\"children\":[{\"name\":\"\",\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"width_medium\":\"1-1\",\"media_overlay_gradient\":\"\"},\"children\":[{\"name\":\"\",\"type\":\"headline\",\"props\":{\"title_element\":\"h1\",\"content\":\"Elena Boschi\",\"title_decoration\":\"bullet\",\"title_style\":\"h2\",\"margin\":\"small\"}},{\"name\":\"\",\"type\":\"text\",\"props\":{\"margin\":\"remove-vertical\",\"column_breakpoint\":\"m\",\"content\":\"\n\n<p>Film studies scholar<\\\/p>\"}}]}]},{\"name\":\"\",\"type\":\"row\",\"props\":{\"layout\":\"1-3,2-3\",\"column_gap\":\"large\",\"row_gap\":\"large\"},\"children\":[{\"name\":\"\",\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"width_small\":\"1-3\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-3\"},\"children\":[{\"name\":\"\",\"type\":\"image\",\"props\":{\"margin\":\"default\",\"image\":\"wp-content\\\/uploads\\\/2020\\\/09\\\/Boschi-pic-bn.jpg\",\"image_width\":\"600\",\"image_svg_color\":\"emphasis\"}},{\"name\":\"\",\"type\":\"text\",\"props\":{\"margin\":\"medium\",\"column_breakpoint\":\"m\",\"content\":\"\",\"margin_remove_top\":false,\"margin_remove_bottom\":true}},{\"name\":\"\",\"type\":\"button\",\"props\":{\"margin\":\"remove-vertical\",\"grid_column_gap\":\"small\",\"grid_row_gap\":\"small\"},\"children\":[{\"name\":\"\",\"type\":\"button_item\",\"props\":{\"button_style\":\"link-text\",\"icon_align\":\"left\",\"content\":\"\",\"link\":\"tel:\"}}]},{\"name\":\"\",\"type\":\"button\",\"props\":{\"margin\":\"remove-vertical\",\"grid_column_gap\":\"small\",\"grid_row_gap\":\"small\"},\"children\":[{\"name\":\"\",\"type\":\"button_item\",\"props\":{\"button_style\":\"\",\"icon_align\":\"left\",\"content\":\"peter@example.com\",\"link\":\"mailto:peter@example.com\"}}]},{\"name\":\"\",\"type\":\"social\",\"props\":{\"link_style\":\"link\",\"margin\":\"default\",\"gap\":\"small\"},\"children\":[{\"type\":\"social_item\",\"props\":{\"link\":\"https:\\\/\\\/www.linkedin.com\\\/\"}},{\"type\":\"social_item\",\"props\":{\"link\":\"https:\\\/\\\/twitter.com\\\/yootheme\"}},{\"type\":\"social_item\",\"props\":{\"link\":\"https:\\\/\\\/www.xing.com\"}}]}]},{\"name\":\"\",\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"width_small\":\"2-3\",\"media_overlay_gradient\":\"\",\"width_medium\":\"2-3\"},\"children\":[{\"name\":\"\",\"type\":\"text\",\"props\":{\"margin\":\"default\",\"column_breakpoint\":\"m\",\"content\":\"\n\n<p>Elena Boschi is an independent scholar and film curator based in Genoa, Italy. Her earlier research focused on the role of popular music in the representation of sexuality, gender, and class in Italian, Spanish, and British cinema. She was co-editor of a special issue of the Journal of British Cinema and Television on Gender, Ageing, and Sexuality in British Cinema After Thatcher with Christine Geraghty. Elena\\u2019s more recent research on alternative screening practices has informed her curation of interrupted screenings, in which participants discuss films in small groups during scheduled breaks rather than just at the end to promote a radical film experience. She has curated screenings in England, Scotland, and Italy, working primarily with film festivals, charities, and occupied spaces.<\\\/p>\\n\n\n<p><strong>Publications<\\\/strong><\\\/p>\\n\n\n<p>Elena Boschi (2020) \\u201cOvertaking \\u2018Virtuous\\u2019 Masculinities: Music, Gender, and Sexuality in <em>Il Sorpasso<\\\/em> (Dino Risi, 1962)\\u201d, <em>Schermi<\\\/em> 4\\\/7 (2020) pp. 15-31 (numero speciale The Compilation Soundtrack in Italian Sound Cinema a cura di Maurizio Corbella) <a href=\\\"https:\\\/\\\/riviste.unimi.it\\\/index.php\\\/schermi\\\/article\\\/view\\\/12938\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=https:\\\/\\\/riviste.unimi.it\\\/index.php\\\/schermi\\\/article\\\/view\\\/12938&amp;source=gmail&amp;ust=1600345169494000&amp;usg=AFQjCNFxURZaq7pPZVCfTHM6qgh3bkadkQ\\\">https:\\\/\\\/riviste.unimi.it\\\/index.php\\\/schermi\\\/article\\\/view\\\/12938<\\\/a><\\\/p>\\n\n\n<p>Elena Boschi (2020) \\u201cFilm, Interrupted: Alternative Screening Practices for a Radical Film Culture\\u201d, in <em>The Radical Film Handbook: Organisation, Activism and the Moving Image<\\\/em>, a cura di Steve Presence, Mike Wayne e Jack Newsinger, Londra: Routledge, pp. 151-162 <a href=\\\"https:\\\/\\\/www.routledge.com\\\/Contemporary-Radical-Film-Culture-Networks-Organisations-and-Activists\\\/Presence-Wayne-Newsinger\\\/p\\\/book\\\/9781138543614\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=https:\\\/\\\/www.routledge.com\\\/Contemporary-Radical-Film-Culture-Networks-Organisations-and-Activists\\\/Presence-Wayne-Newsinger\\\/p\\\/book\\\/9781138543614&amp;source=gmail&amp;ust=1600345169494000&amp;usg=AFQjCNFzzVIy6n_nCI9V544r4rD6drEPZg\\\">https:\\\/\\\/www.routledge.com\\\/Contemporary-Radical-Film-Culture-Networks-Organisations-and-Activists\\\/Presence-Wayne-Newsinger\\\/p\\\/book\\\/9781138543614<\\\/a>\\u00a0<\\\/p>\\n\n\n<table>\\n\n\n<tbody>\\n\n\n<tr>\\n\n\n<td>\\n\n\n<p>Elena Boschi (2016) \\u2018\\u2018Where you from, you sexy thing\\u2019: Popular Music, Space, and Masculinity in <em>The Full Monty<\\\/em>\\u2019, <em>Journal of British Cinema and Television<\\\/em> 13\\\/4 (2016) pp. 516-535 (numero speciale su Gender, Ageing, and Sexuality in British Cinema after Thatcher a cura di Elena Boschi e Christine Geraghty) <a href=\\\"https:\\\/\\\/www.euppublishing.com\\\/doi\\\/abs\\\/10.3366\\\/jbctv.2016.0338\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=https:\\\/\\\/www.euppublishing.com\\\/doi\\\/abs\\\/10.3366\\\/jbctv.2016.0338&amp;source=gmail&amp;ust=1600345169494000&amp;usg=AFQjCNFjCn_ihdsXWECfcYbLHxYv0tLilQ\\\">https:\\\/\\\/www.euppublishing.com\\\/doi\\\/abs\\\/10.3366\\\/jbctv.2016.0338<\\\/a><\\\/p>\\n\n\n<p>Elena Boschi (2015) \\u2018<em>Loose Cannons<\\\/em> Unloaded: Popular Music, Space, and Queer Identities in the Films of Ferzan \\u00d6zpetek\\u2019, <em>Studies in European Cinema<\\\/em> 12\\\/3 (2015), pp. 246-260 (numero speciale su Queer European Film a cura di Jacky Collins e Leanne Dawson) <a href=\\\"https:\\\/\\\/www.tandfonline.com\\\/doi\\\/abs\\\/10.1080\\\/17411548.2015.1094257\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=https:\\\/\\\/www.tandfonline.com\\\/doi\\\/abs\\\/10.1080\\\/17411548.2015.1094257&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNFnqHxmEKbhmOXIefuZYsKwInsjuQ\\\">https:\\\/\\\/www.tandfonline.com\\\/doi\\\/abs\\\/10.1080\\\/17411548.2015.1094257<\\\/a><\\\/p>\\n\n\n<p>Elena Boschi (2014) \\u2018Sexuality and the Nation: Urban Popular Music and Queer Identities in <em>Kr\\u00e1mpack<\\\/em>\\u2019, <em>Quaderns de cine<\\\/em>, 9 (2014), pp. 87-95 (numero speciale su Cine y M\\u00fasicas Populares Urbanas a cura di Kiko Mora) <a href=\\\"https:\\\/\\\/rua.ua.es\\\/dspace\\\/bitstream\\\/10045\\\/41182\\\/1\\\/Quaderns-de-Cine_09_10.pdf\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=https:\\\/\\\/rua.ua.es\\\/dspace\\\/bitstream\\\/10045\\\/41182\\\/1\\\/Quaderns-de-Cine_09_10.pdf&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNFKssR8oXw8MkEXa6NiUYYCnl4msw\\\">https:\\\/\\\/rua.ua.es\\\/dspace\\\/bitstream\\\/10045\\\/41182\\\/1\\\/Quaderns-de-Cine_09_10.pdf<\\\/a><\\\/p>\\n\n\n<p>Elena Boschi, Marta Garc\\u00eda Qui\\u00f1ones, e Anahid Kassabian (2014) \\u2018Culture, Value, and Attention at Home\\u2019, Expert Workshop Report (AHRC Cultural Value Project) <a href=\\\"http:\\\/\\\/www.ahrc.ac.uk\\\/Funded-Research\\\/Funded-themes-and-programmes\\\/Cultural-Value-Project\\\/Current-and-Past-Research-Activities\\\/Documents\\\/EW%20Boschi%20-%20Culture%20Value%20and%20Attention%20at%20Home.pdf\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=http:\\\/\\\/www.ahrc.ac.uk\\\/Funded-Research\\\/Funded-themes-and-programmes\\\/Cultural-Value-Project\\\/Current-and-Past-Research-Activities\\\/Documents\\\/EW%2520Boschi%2520-%2520Culture%2520Value%2520and%2520Attention%2520at%2520Home.pdf&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNH76JHxBZk3eKEuZerTB9CTusWY-Q\\\">http:\\\/\\\/www.ahrc.ac.uk\\\/Funded-Research\\\/Funded-themes-and-programmes\\\/Cultural-Value-Project\\\/Current-and-Past-Research-Activities\\\/Documents\\\/EW%20Boschi%20-%20Culture%20Value%20and%20Attention%20at%20Home.pdf<\\\/a><\\\/p>\\n\n\n<p>Elena Boschi (2013) \\u2018<em>Radiofreccia<\\\/em>: A Rocker from Emilia Behind the Film Camera\\u2019, in <em>Made in Italy: Studies in Italian Popular Music<\\\/em>, a cura di Franco Fabbri e Goffredo Plastino, Londra: Routledge<\\\/p>\\n\n\n<p>Tim McNelis e Elena Boschi (2013) \\u2018Seen and Heard: Visible Playback Technology in Film\\u2019, in <em>Ubiquitous Musics: The Everyday Sounds That We Don\\u2019t Always Notice<\\\/em>, a cura di Marta Garc\\u00eda Qui\\u00f1ones, Anahid Kassabian, e Elena Boschi, Aldershot: Ashgate<\\\/p>\\n\n\n<p>Marta Garc\\u00eda Qui\\u00f1ones, Anahid Kassabian, e Elena Boschi (ed.) (2013) <em>Ubiquitous Musics: The Everyday Sounds That We Don\\u2019t Always Notice<\\\/em>, Aldershot: Ashgate<\\\/p>\\n\n\n<p>Elena Boschi (2012) \\u2018\\u2018Canci\\u00f3n Prohibida\\u2019: Simulacros Musicales y Otros Mundos en <em>Barrio<\\\/em> de Fernando L\\u00e9on de Aranoa\\u2019 in <em>La m\\u00fasica en el lenguaje audiovisual: Aproximaciones multidisciplinares a una comunicaci\\u00f3n medi\\u00e1tica<\\\/em>, a cura di Teresa Fraile Prieto e Eduardo Vi\\u00f1uela Su\\u00e1rez, Siviglia: Arcibel, pp. 399-406 <a href=\\\"http:\\\/\\\/musicaudiovisual.files.wordpress.com\\\/2012\\\/05\\\/musica-y-lenguaje-audiovisual-frailevic3b1uela.pdf\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=http:\\\/\\\/musicaudiovisual.files.wordpress.com\\\/2012\\\/05\\\/musica-y-lenguaje-audiovisual-frailevic3b1uela.pdf&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNHDBgOHKbF2VQRfIgG57XYgoebaYQ\\\">http:\\\/\\\/musicaudiovisual.files.wordpress.com\\\/2012\\\/05\\\/musica-y-lenguaje-audiovisual-frailevic3b1uela.pdf<\\\/a><\\\/p>\\n<\\\/td>\\n<\\\/tr>\\n<\\\/tbody>\\n<\\\/table>\\n\n\n<p>Elena Boschi e Tim McNelis (2012) \\u2018\\u2018Same Old Song\\u2019: On Audiovisual Style in the Films of Wes Anderson\\u2019, <em>New Review of Film and Television Studies<\\\/em>, 10\\\/1 (2012), pp. 28-45 (numero speciale su Wes Anderson a cura di Warren Buckland) <a href=\\\"https:\\\/\\\/www.tandfonline.com\\\/doi\\\/abs\\\/10.1080\\\/17400309.2012.631174\\\" data-saferedirecturl=\\\"https:\\\/\\\/www.google.com\\\/url?q=https:\\\/\\\/www.tandfonline.com\\\/doi\\\/abs\\\/10.1080\\\/17400309.2012.631174&amp;source=gmail&amp;ust=1600345169495000&amp;usg=AFQjCNGp4cVHI2D9HvALk-pogPHS9WFTAg\\\">https:\\\/\\\/www.tandfonline.com\\\/doi\\\/abs\\\/10.1080\\\/17400309.2012.631174<\\\/a><\\\/p>\"}}]}]}]}],\"version\":\"2.2.4\"} --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elena Boschi Film studies scholar peter@example.com linkedin twitter xing Elena Boschi is an independent scholar and film curator based in Genoa, Italy. Her earlier research focused on the role of popular music in the representation of sexuality, gender, and class in Italian, Spanish, and British cinema. She was co-editor of a special issue of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2738","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Elena Boschi &#8226; Laboratorio di Sociologia Visuale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/elena_boschi\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elena Boschi &#8226; Laboratorio di Sociologia Visuale\" \/>\n<meta property=\"og:description\" content=\"Elena Boschi Film studies scholar peter@example.com linkedin twitter xing Elena Boschi is an independent scholar and film curator based in Genoa, Italy. 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