{"id":4128,"date":"2022-12-29T15:11:17","date_gmt":"2022-12-29T15:11:17","guid":{"rendered":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/?page_id=4128"},"modified":"2023-01-05T09:14:32","modified_gmt":"2023-01-05T09:14:32","slug":"articles","status":"publish","type":"page","link":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"<h1>Articles and working papers<\/h1>\n<h2>Sebastiano Benasso, Luisa Stagi, Luca Guzzetti<\/h2>\n<ul>\n<li>\n<h3>The sovereign meal of the male leader. Matteo Salvini\u2019s food porn aesthetics<\/h3>\n<div>\n<p><em><strong>Anthropology of Food, n. 16, 2022<\/strong><\/em><\/p>\n<\/div>\n<\/li>\n<li>\n<h3>Abstract<\/h3>\n<div>\n<p>As a crucial component of \u00ab Italianicity \u00bb, food is a common topic in the political discourse in Italy. The diffusion of the grammars and practices of food porn media offer new possibilities for political communication: in Italy, it\u2019s especially the sovereignist and populist parties who use such a language. In this article we will focus on the application of food porn as a gastro-nationalist device by Matteo Salvini, leader of the right-wing party Lega. In Salvini\u2019s specific aesthetics of food porn, we can detect a \u00ab lo-fi \u00bb strategy &#8211; based on the counter-position with \u00ab high cuisine \u00bb \u2013, which resonates with the rejection of the intellectual elites\u2019 attitudes and know-how. Furthermore, with his food porn production, Salvini aims to celebrate the material and pragmatic elements typically associated with the traditional masculinity supported by the \u00ab anti-gender \u00bb movements in Italy and elsewhere. Thanks to the representation of food and meals, Salvini thus proposes an image of himself as a typical Italian male, ready to defend the borders of nation, tradition and gender.<\/p>\n<\/div>\n<\/li>\n<li>\n<p><a href=\"https:\/\/journals.openedition.org\/revss\/9153\"><\/p>\n<p>Download article<\/p>\n<p><\/a><\/p>\n<\/li>\n<\/ul>\n<hr>\n<h2>Cristina Oddone, Lorenzo Navone<\/h2>\n<ul>\n<li>\n<h3>\u201cSensitive Writing\u201d through Sociological Films. Visual Ethnographies in Prisons and in Services for Drug Addicts<\/h3>\n<div>\n<p><em><strong><span>Revue des Sciences Sociales<\/span>, n. 68, 2022<\/strong><\/em><\/p>\n<\/div>\n<\/li>\n<li>\n<h3>Abstract<\/h3>\n<div>\n<p><span>Based on two visual ethnographies conducted in prisons and in services for drug addicts, we analyse the contributions of audiovisual material to the writing of social sciences. Sociological films allow a form of \u201c sensitive writing,\u201d capable of enhancing the material dimension of the contexts and subjects concerned, as well as the quality of the interactions between interviewers and interviewees. Following the description of the two fieldworks, the article illustrates the camera\u2019s potential in ethnographic research. Through participatory video-workshops, the audiovisual medium fosters the construction of a dynamic and intersubjective relationship among participants, by making filmic writing a collective process. Secondly, visual sociology makes it possible to valorise the social actors\u2019 bodies and voices, avoiding the filter of translation into writing. In conclusion, the article returns to the polyphonic dimension of \u201csensitive writing\u201d in sociological films and invites researchers to \u201c look sociologically\u201d and \u201cthink visually.\u201d<\/span><\/p>\n<\/div>\n<\/li>\n<li>\n<p><a href=\"https:\/\/journals.openedition.org\/revss\/9153\"><\/p>\n<p>Download article<\/p>\n<p><\/a><\/p>\n<\/li>\n<\/ul>\n<hr>\n<h2>Silvia di Meo<\/h2>\n<ul>\n<li>\n<h3>Ritrarre i migranti ai confini europei. Antropologia visiva fra analisi critica e proposta fotografica<\/h3>\n<div>\n<p><strong><em>Camera Oscura, VOCI &#8211; Annuale di Scienze Umane, XVII, 2020<\/em><\/strong><\/p>\n<\/div>\n<\/li>\n<li>\n<h3>Abstract<\/h3>\n<div>\n<p><span>In border contexts, the photographic narrative of migrations relies on an iconography of the migrant subject which is essentializing and neutralizing, both from a securitarian and a humanitarian perspective. The camera turns out to be a surveillance camera, acting as yet another control device that objectifies and imposes its specific dominance view. In this work \u2013 starting from a reflection on ethnographic fieldworks in european and externalised borders (Morocco, Spain, Tunisia, Sicily) \u2013 we offer a critical view to the hegemonic narrative on migrations, and propose an alternative representation: the visual-anthropological option of the portrait, photographic and biographic, allows to go beyond the visual subjugation of the subject and favors, instead, a counter-visuality of migration, taking into account the migrant autorepresentation, the emic point of view, the prevalence of a \u201chorizontal\u201d line of sight, and the production of a shared ethnographical frame. Within contexts dominated by violence and violation of human rights, the camera is rethought as an instrument of ethnographic relationship, able to impact the social reality by imprinting on visual anthropology an applied and transformative dimension. By fusing the linguistic and the visual communicative models, the portrait can give back to the subjects a visible agency, built through a meaningful dense image, which moves and gives sense to migration mobilities and mobilizations.<\/span><\/p>\n<\/div>\n<\/li>\n<li>\n<p><a href=\"https:\/\/www.quodlibet.it\/download.php?id=VTJGc2RHVmtYMTlGRkJKSjZETGdaMDZJYWpBQnUwOE9uYVU1Z0d1QzNlbz0=\"><\/p>\n<p>Download article<\/p>\n<p><\/a><\/p>\n<\/li>\n<\/ul>\n<hr>\n<p><!--more--><br \/>\n<!-- {\"name\":\"FAQ\",\"type\":\"layout\",\"children\":[{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\",\"padding\":\"large\",\"padding_remove_bottom\":true},\"children\":[{\"type\":\"row\",\"props\":{\"margin\":\"xlarge\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h1\",\"title_style\":\"h2\",\"text_align\":\"center\",\"content\":\"Articles and working papers\"}}]}]},{\"type\":\"row\",\"props\":{\"layout\":\"1-4,3-4\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-4\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h2\",\"title_style\":\"h5\",\"content\":\"Sebastiano Benasso, Luisa Stagi, Luca Guzzetti\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"3-4\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"description_list\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_link\":true,\"layout\":\"grid-2\",\"meta_style\":\"text-meta\",\"meta_align\":\"below-content\",\"title_style\":\"h6\",\"title_color\":\"muted\",\"list_size\":\"large\",\"title_grid_column_gap\":\"\",\"title_grid_row_gap\":\"\",\"title_grid_breakpoint\":\"s\",\"title_grid_width\":\"medium\",\"title_element\":\"h3\",\"list_element\":\"ul\",\"column_breakpoint\":\"m\"},\"children\":[{\"type\":\"description_list_item\",\"props\":{\"title\":\"The sovereign meal of the male leader. Matteo Salvini\\u2019s food porn aesthetics\",\"content\":\"\n\n<p><em><strong>Anthropology of Food, n. 16, 2022<\\\/strong><\\\/em><\\\/p>\",\"meta\":\"\"}},{\"type\":\"description_list_item\",\"props\":{\"title\":\"Abstract\",\"content\":\"\n\n<p>As a crucial component of \\u00ab Italianicity \\u00bb, food is a common topic in the political discourse in Italy. The diffusion of the grammars and practices of food porn media offer new possibilities for political communication: in Italy, it\\u2019s especially the sovereignist and populist parties who use such a language. In this article we will focus on the application of food porn as a gastro-nationalist device by Matteo Salvini, leader of the right-wing party Lega. In Salvini\\u2019s specific aesthetics of food porn, we can detect a \\u00ab lo-fi \\u00bb strategy - based on the counter-position with \\u00ab high cuisine \\u00bb \\u2013, which resonates with the rejection of the intellectual elites\\u2019 attitudes and know-how. 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Thanks to the representation of food and meals, Salvini thus proposes an image of himself as a typical Italian male, ready to defend the borders of nation, tradition and gender.<\\\/p>\"}},{\"type\":\"description_list_item\",\"props\":{\"title\":\"\",\"content\":\"\n\n<p>Download article<\\\/p>\",\"meta\":\"\",\"link\":\"https:\\\/\\\/journals.openedition.org\\\/revss\\\/9153\"}}]}]}]},{\"type\":\"row\",\"props\":{\"margin\":\"large\",\"id\":\"orders-shipping\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"divider\",\"props\":{\"divider_element\":\"hr\",\"divider_style\":\"\",\"divider_align\":\"\",\"divider_align_breakpoint\":\"\",\"divider_align_fallback\":\"\"}}]}]}],\"name\":\"FAQ\"},{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\",\"padding\":\"large\",\"padding_remove_bottom\":true},\"children\":[{\"type\":\"row\",\"props\":{\"layout\":\"1-4,3-4\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-4\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h2\",\"title_style\":\"h5\",\"content\":\"Cristina Oddone, Lorenzo Navone\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"3-4\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"description_list\",\"props\":{\"show_title\":true,\"show_meta\":true,\"show_content\":true,\"show_link\":true,\"layout\":\"grid-2\",\"meta_style\":\"text-meta\",\"meta_align\":\"below-content\",\"title_style\":\"h6\",\"title_color\":\"muted\",\"list_size\":\"large\",\"title_grid_column_gap\":\"\",\"title_grid_row_gap\":\"\",\"title_grid_breakpoint\":\"s\",\"title_grid_width\":\"medium\",\"title_element\":\"h3\",\"list_element\":\"ul\",\"column_breakpoint\":\"m\"},\"children\":[{\"type\":\"description_list_item\",\"props\":{\"title\":\"\\u201cSensitive Writing\\u201d through Sociological Films. Visual Ethnographies in Prisons and in Services for Drug Addicts\",\"content\":\"\n\n<p><em><strong><span>Revue des Sciences Sociales<\\\/span>, n. 68, 2022<\\\/strong><\\\/em><\\\/p>\",\"meta\":\"\"}},{\"type\":\"description_list_item\",\"props\":{\"title\":\"Abstract\",\"content\":\"\n\n<p><span>Based on two visual ethnographies conducted in prisons and in services for drug addicts, we analyse the contributions of audiovisual material to the writing of social sciences. Sociological films allow a form of \\u201c sensitive writing,\\u201d capable of enhancing the material dimension of the contexts and subjects concerned, as well as the quality of the interactions between interviewers and interviewees. Following the description of the two fieldworks, the article illustrates the camera\\u2019s potential in ethnographic research. 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Antropologia visiva fra analisi critica e proposta fotografica\",\"content\":\"\n\n<p><strong><em>Camera Oscura, VOCI - Annuale di Scienze Umane, XVII, 2020<\\\/em><\\\/strong><\\\/p>\",\"meta\":\"\"}},{\"type\":\"description_list_item\",\"props\":{\"title\":\"Abstract\",\"content\":\"\n\n<p><span>In border contexts, the photographic narrative of migrations relies on an iconography of the migrant subject which is essentializing and neutralizing, both from a securitarian and a humanitarian perspective. The camera turns out to be a surveillance camera, acting as yet another control device that objectifies and imposes its specific dominance view. In this work \\u2013 starting from a reflection on ethnographic fieldworks in european and externalised borders (Morocco, Spain, Tunisia, Sicily) \\u2013 we offer a critical view to the hegemonic narrative on migrations, and propose an alternative representation: the visual-anthropological option of the portrait, photographic and biographic, allows to go beyond the visual subjugation of the subject and favors, instead, a counter-visuality of migration, taking into account the migrant autorepresentation, the emic point of view, the prevalence of a \\u201chorizontal\\u201d line of sight, and the production of a shared ethnographical frame. Within contexts dominated by violence and violation of human rights, the camera is rethought as an instrument of ethnographic relationship, able to impact the social reality by imprinting on visual anthropology an applied and transformative dimension. By fusing the linguistic and the visual communicative models, the portrait can give back to the subjects a visible agency, built through a meaningful dense image, which moves and gives sense to migration mobilities and mobilizations.<\\\/span><\\\/p>\"}},{\"type\":\"description_list_item\",\"props\":{\"title\":\"\",\"content\":\"\n\n<p>Download article<\\\/p>\",\"meta\":\"\",\"link\":\"https:\\\/\\\/www.quodlibet.it\\\/download.php?id=VTJGc2RHVmtYMTlGRkJKSjZETGdaMDZJYWpBQnUwOE9uYVU1Z0d1QzNlbz0=\"}}]}]}]},{\"type\":\"row\",\"props\":{\"margin\":\"large\",\"id\":\"orders-shipping\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"width_medium\":\"1-1\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"divider\",\"props\":{\"divider_element\":\"hr\",\"divider_style\":\"\",\"divider_align\":\"\",\"divider_align_breakpoint\":\"\",\"divider_align_fallback\":\"\"}}]}]}],\"name\":\"FAQ\"},{\"type\":\"section\",\"props\":{\"style\":\"default\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"position_sticky_breakpoint\":\"m\",\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\"},\"children\":[]}]}]}],\"version\":\"2.7.22\"} --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Articles and working papers Sebastiano Benasso, Luisa Stagi, Luca Guzzetti The sovereign meal of the male leader. Matteo Salvini\u2019s food porn aesthetics Anthropology of Food, n. 16, 2022 Abstract As a crucial component of \u00ab Italianicity \u00bb, food is a common topic in the political discourse in Italy. The diffusion of the grammars and practices [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4128","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Articles &#8226; Laboratorio di Sociologia Visuale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Articles &#8226; Laboratorio di Sociologia Visuale\" \/>\n<meta property=\"og:description\" content=\"Articles and working papers Sebastiano Benasso, Luisa Stagi, Luca Guzzetti The sovereign meal of the male leader. Matteo Salvini\u2019s food porn aesthetics Anthropology of Food, n. 16, 2022 Abstract As a crucial component of \u00ab Italianicity \u00bb, food is a common topic in the political discourse in Italy. The diffusion of the grammars and practices [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/\" \/>\n<meta property=\"og:site_name\" content=\"Laboratorio di Sociologia Visuale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/it-it.facebook.com\/laboratoriovisuale.sociologia\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-05T09:14:32+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/\",\"url\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/\",\"name\":\"Articles &#8226; Laboratorio di Sociologia Visuale\",\"isPartOf\":{\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#website\"},\"datePublished\":\"2022-12-29T15:11:17+00:00\",\"dateModified\":\"2023-01-05T09:14:32+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Articles\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#website\",\"url\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/\",\"name\":\"Laboratorio di Sociologia Visuale\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#organization\",\"name\":\"Laboratorio di Sociologia Visuale\",\"url\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-content\/uploads\/2020\/07\/lab_capture3.png\",\"contentUrl\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-content\/uploads\/2020\/07\/lab_capture3.png\",\"width\":155,\"height\":97,\"caption\":\"Laboratorio di Sociologia Visuale\"},\"image\":{\"@id\":\"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/it-it.facebook.com\/laboratoriovisuale.sociologia\/\",\"https:\/\/www.youtube.com\/user\/labvisuale\/videos\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Articles &#8226; Laboratorio di Sociologia Visuale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/","og_locale":"it_IT","og_type":"article","og_title":"Articles &#8226; Laboratorio di Sociologia Visuale","og_description":"Articles and working papers Sebastiano Benasso, Luisa Stagi, Luca Guzzetti The sovereign meal of the male leader. Matteo Salvini\u2019s food porn aesthetics Anthropology of Food, n. 16, 2022 Abstract As a crucial component of \u00ab Italianicity \u00bb, food is a common topic in the political discourse in Italy. The diffusion of the grammars and practices [&hellip;]","og_url":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/","og_site_name":"Laboratorio di Sociologia Visuale","article_publisher":"https:\/\/it-it.facebook.com\/laboratoriovisuale.sociologia\/","article_modified_time":"2023-01-05T09:14:32+00:00","twitter_card":"summary_large_image","twitter_misc":{"Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/","url":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/","name":"Articles &#8226; Laboratorio di Sociologia Visuale","isPartOf":{"@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#website"},"datePublished":"2022-12-29T15:11:17+00:00","dateModified":"2023-01-05T09:14:32+00:00","breadcrumb":{"@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/articles\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/"},{"@type":"ListItem","position":2,"name":"Articles"}]},{"@type":"WebSite","@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#website","url":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/","name":"Laboratorio di Sociologia Visuale","description":"","publisher":{"@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#organization","name":"Laboratorio di Sociologia Visuale","url":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#\/schema\/logo\/image\/","url":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-content\/uploads\/2020\/07\/lab_capture3.png","contentUrl":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-content\/uploads\/2020\/07\/lab_capture3.png","width":155,"height":97,"caption":"Laboratorio di Sociologia Visuale"},"image":{"@id":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/it-it.facebook.com\/laboratoriovisuale.sociologia\/","https:\/\/www.youtube.com\/user\/labvisuale\/videos"]}]}},"_links":{"self":[{"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/pages\/4128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/comments?post=4128"}],"version-history":[{"count":16,"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/pages\/4128\/revisions"}],"predecessor-version":[{"id":4157,"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/pages\/4128\/revisions\/4157"}],"wp:attachment":[{"href":"https:\/\/www.laboratoriosociologiavisuale.it\/new\/wp-json\/wp\/v2\/media?parent=4128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}